The apparition inspires Remy, against better judgment, to tamper with a doomed soup about to be served at Gusteau's restaurant. For a rat, developing ways to manufacture extraordinary oral sensations entails bravely venturing into the human world to gather knowledge through reading and some food channel viewing.Д«oth mediums bring Remy to Auguste Gusteau, a pioneering Parisian human chef whose philosophy is 'Anyone Can Cook.' Remy is surprised to learn that Gusteau died a few years ago (due, in part, to a review that lost one of his restaurant's five stars), but the spirit of the portly chef emerges in Remy's subconscious via an airborne, limit-free, rat-sized specter ('Everybody Loves Raymond' co-star/Pixar veteran Brad Garrett) when most needed. Remy's uniquity is apparent while other rats are content to dig into any available trash, his tastes require interesting combinations of flavors to savor. This latter passion keeps Remy a skinnier and more selective creature than his counterparts, which include his big-eating red brother Emile (voiced by Pixar story artist Peter Sohn) and chilly father Django (Brian Dennehy). The bluish-gray rodent named Remy (voiced by comedian Patton Oswalt) explains early on that he has 'highly developed senses', which make him an obvious selection for the position of poison checker but, more importantly, contribute to his appreciation of culinary delights. Nonetheless and true to their esteemed reputation, the still-unparalleled animation wizards of Emeryville, California get much right, diving fully into the setting, reveling in visual detail, and finding heart and humanity in a rather unusual story.ДЄs suggested by the title, the chief protagonist of the film is a rat. While the company can easily be credited for making something new, different, and, in terms of big budget mainstream cinema, quite daring, the featured universe - haute cuisine in present-day Paris - proves to be Pixar's least compelling to date, lacking the wide appeal of toys, monsters, superheroes, or even self-sufficient automobiles. In doing so, the studio essentially created its version of a foreign film in Ratatouille. After telling stories in perspectival, fantastic, and alternate worlds, Pixar Animation Studios turned to a real one - namely, Europe - for their eighth feature film.

Ratatouille movie review